The Disaster Artist Celebrates One of the Digital Era's First Cult Classics—and Also Its Last
Posted onThough no one realized it at the time, the summer of 2003 was an apex moment for Z-grade cinema. That June, Tommy Wiseau released his crackpot rom-dram-com The Room in Los Angeles, giving viewers their first taste of the writer-director-star’s penchant for hammy performances and nonsensical non sequitors (“I did not hit her! Oh, hai, […]